This week on the befores & afters podcast, we’re chatting to director Hjalti Hjálmarsson, a writer, director and animator with the Blender Institute. His latest project is Blender Studio’s 14th open movie, called Charge.

Marc Forster’s A Man Called Otto is most certainly not a visual effects film, but it does feature a wide variety of key invisible effects work. A number of techniques

Rian Johnson’s Glass Onion: A Knives Out Mystery, now streaming on Netflix, mostly takes place on the private island of billionaire Miles Bron (Edward Norton), complete with an intricate ‘Glass

‘Grounded in reality’ is one of the expressions that has been commonly used to describe the Disney+ series, Andor. Partly, that comes from the fact that production filmed in many real

This week on the befores & afters podcast, we’re chatting to visual effects supervisor Colin Strause about the CBS drama series Fire Country. It’s obviously a show that deals with, well, fire and

David Sewell began his career in visual effects with INDEPENDENCE DAY. He then worked in various studios such as Cinesite, The Senate and DNEG. He has worked on many shows including WORLD WAR Z, JOHN CARTER, IN THE HEART