How ‘Welcome to Chechnya’ used A.I. and machine learning techniques to mask the doco’s subjects
Cinematography , Episodic TV , Filmmaking , Post Production , Technology , Video Production , Visual Effects
ai , CG , CGI , CGINexus , CGINexusVFX , CGLab , CGLabVfx , Chechnya , cleanup , Comping , Compositing , David France , Documentaries , Face Swapping , features , GreenScreen , Machine Learning , MatchMoving , roto , Rotoscopy , TheCGLab , vfx , VisualEffects , Welcome To Chechnya
March 14, 2021
If one is to look into the technological future, the visual effects industry will be transformed with the proliferation of real-time rendering, AI and virtual production methodologies.
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Hollywood has gone home. Why are many visual effects artists still going into work?
Filmmaking , Films , Post Production , Visual Effects
CG , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , features , green screen , Hollywood , MatchMoving , movies , MPA , roto , Rotoscopy , The CG Lab , vfx , VisualEffects , Work From Home
April 6, 2020
Daisy Ridley, left, is Rey and Adam Driver is Kylo Ren in “Star Wars: The Rise of Skywalker.” Digital artists who create effects for such movies signed a petition to …
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The Mill’s Blackbird Camera Car Is a Real-Life Autobot
Cinematography , Filmmaking , Post Production , Technology , Video Gear , Video Production , Visual Effects
Blackbird Camera Car , Camera Rig , CG , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , features , green screen , Jem FX , Keslow Camera , MatchMoving , movies , Performance Filmworks , roto , Rotoscopy , The CG Lab , The Mill , vfx , VisualEffects
March 8, 2020
VFX studio The Mill built their own adaptable camera car to replace any vehicle imaginable in post. The Mill teamed up with Performance Filmworks, JemFX, and Keslow to create the ultimate camera car. Unlike other camera …
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Camera Cars & Trailers – The Real Movie Cars
Cinematography , Filmmaking , Films , Technology , Video Production , Visual Effects
cameracars , cameraRigs , Cameras , CG , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , features , green screen , MatchMoving , movies , roto , Rotoscopy , The CG Lab , vfx , vfxNews , VisualEffects
March 3, 2020
From high-speed car chases to luxury car commercials, camera cars are secretly driving alongside capturing all the action. Cover Image via Camera Car Industries Camera cars come in all shapes and sizes. …
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Pixomondo’s ‘Carnival Row’ Season 1 VFX Breakdown Reel
Cinematography , Filmmaking , Films , Post Production , Visual Effects
Amazon , Amazon Prime Video , body tracking , Cara Delevingne , Carnival Row , CG , cg animation , CG assets , CG doubles , CG environments , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , features , green screen , Look Development , lookdev , MatchMoving , Max Riess , movies , Orlando Bloom , Pixomondo , PXO , René Echevarria , rigging , roto , rotomation , Rotoscopy , streaming entertainment , streaming Media , The CG Lab , Travis Beacham , vfx , visual effects , VisualEffects
February 27, 2020
Leading design company, Pixomondo, has once more shared some of their great VFX work with AWN; led by VFX supervisor Max Riess, studio teams in Frankfurt, Stuttgart, Toronto and Los …
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6 UNDERGROUND: RICHARD HOOVER – OVERALL VFX SUPERVISOR – NETFLIX
Filmmaking , Films , Post Production , Uncategorized , Visual Effects
6 Underground , body tracking , CG , cg animation , CG assets , CG doubles , CG environments , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , features , green screen , Look Development , lookdev , MatchMoving , Michael Bay , movies , netflix , Richard Hoover , rigging , roto , rotomation , Rotoscopy , The CG Lab , vfx , VisualEffects
February 19, 2020
6 UNDERGROUND: RICHARD HOOVER
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