Mirror gags, mountain extensions and *that* beach scene: the VFX of ‘Decision to Leave’
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#Postproduction, #realtimeengine, before and after, BeforeAfter, CGINexus, CGINexusVFX, CGLabVfx, DC, ILM, Industrial Light & Magic, TheCGLab, tricks, vfx
- January 5, 2023
Members of the visual effects team discuss their hardest scenes to pull off for the film
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How that shocking DC villain splitting scene was made
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#Postproduction, #realtimeengine, before and after, BeforeAfter, CGINexus, CGINexusVFX, CGLabVfx, DC, ILM, Industrial Light & Magic, TheCGLab, tricks, vfx
- January 3, 2023
Members of the visual effects team discuss their hardest scenes to pull off for the film
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Why the CG water in ‘The Way of Water’ looks so good
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#Postproduction, #realtimeengine, before and after, BeforeAfter, CGINexus, CGINexusVFX, CGLabVfx, DC, ILM, Industrial Light & Magic, TheCGLab, tricks, vfx
- December 27, 2022
Members of the visual effects team discuss their hardest scenes to pull off for the film
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How those Talokan underwater scenes in ‘Wakanda Forever’ were made
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#Postproduction, #realtimeengine, before and after, BeforeAfter, CGINexus, CGINexusVFX, CGLabVfx, DC, ILM, Industrial Light & Magic, TheCGLab, tricks, vfx
- December 13, 2022
Members of the visual effects team discuss their hardest scenes to pull off for the film
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Going from bluescreen partial set to intense Wakandan/Talokanil at-sea battle
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#Postproduction, #realtimeengine, before and after, BeforeAfter, CGINexus, CGINexusVFX, CGLabVfx, DC, ILM, Industrial Light & Magic, TheCGLab, tricks, vfx
- December 7, 2022
Members of the visual effects team discuss their hardest scenes to pull off for the film
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Working on ‘She-Hulk’ gave animators a rare chance to bring a fully CG photoreal female character to life
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#Postproduction, #realtimeengine, before and after, BeforeAfter, CGINexus, CGINexusVFX, CGLabVfx, DC, ILM, Industrial Light & Magic, TheCGLab, tricks, vfx
- December 5, 2022
Members of the visual effects team discuss their hardest scenes to pull off for the film
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