Q&A: ‘Greyhound’ director Aaron Schneider
Cinematography , Episodic TV , Filmmaking , Post Production , Technology , Video Production , Visual Effects
Aaron Schneider , CG , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Comping , Compositing , Dneg , features , green screen , Greyhound , match moving , movies , roto , Rotoscopy , The CG Lab , Tom Hanks , vfx , visual effects
February 25, 2021
If one is to look into the technological future, the visual effects industry will be transformed with the proliferation of real-time rendering, AI and virtual production methodologies.
View Post
The Mill Launches ‘Mill Scout’ AR Virtual Production App
Episodic TV , Filmmaking , Films , Post Production , Technology , Video Production , Visual Effects
AR , Augmented Reality , CG , CG assets , CG doubles , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , Commercial , Comping , Compositing , features , Mill Scout , movies , The CG Lab , The Mill , vfx , visual effects
November 23, 2020
Mill Scout enables immediate visualization of any object during filming that has been preloaded onto the app. By using the app to place CGI objects into real-world environments, creative teams are now able to tailor shots to VFX specifics, offering increased creative flexibility during the on-set direction process.
View Post
Belgravia : How Do You Turn Old Buildings Into New?
Cinematography , Crime , Drama , Episodic TV , Post Production , Visual Effects
Belgravia , BlueBolt , body tracking , cg animation , CG assets , CG doubles , CG environments , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , Episodic TV , green screen , Henry Badgett , Look Development , lookdev , match moving , rigging , roto , rotomation , Rotoscopy , The CG Lab , vfx , visual effects
October 24, 2020
… you needed to turn some buildings that already had that wear and tear into something incredibly new?
View Post
Re-Creating L.A. Of The 1930s For Penny Dreadful : City Of Angels
Cinematography , Crime , Drama , Episodic TV , Post Production , Visual Effects
body tracking , cg animation , CG assets , CG doubles , CG environments , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , Episodic TV , FuseFX , green screen , John Heller , Look Development , lookdev , match moving , Penny Dreadful , rigging , roto , rotomation , Rotoscopy , Showtime , The CG Lab , vfx , visual effects
October 19, 2020
When Showtime sought to re-create a ‘1938 Los Angeles’ for Penny Dreadful: City of Angels, it looked to visual effects from FuseFX to adjust and augment modern photography to make the setting appear period-correct.
View Post
Mulan VFX Breakdown By Image Engine VFX
Cinematography , Drama , Filmmaking , Films , Post Production , Visual Effects
CG , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , Christian Irles , cleanup , Comping , Compositing , Diana Giorgiutti , features , green screen , Image Engine , Image Engine VFX , Lilian Bravo , match moving , movies , Mulan , Niki Caro , roto , Rotoscopy , Sean Faden , The CG Lab , vfx , visual effects , Walt Disney
September 20, 2020
Image Engine contributed a variety of effects to the film including expansive digital environments, set extensions, creature animation, and effects and simulation across 271 shots.
View Post
Take A Fantastic Voyage With Photoshop : VFX Breakdown
Cinematography , Drama , Post Production , Visual Effects
Adobe , Adobe Photoshop , CG , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Commercial , Comping , Compositing , green screen , match moving , Mathematic , Photoshop , roto , Rotoscopy , The CG Lab , vfx , visual effects
September 13, 2020
French studio Mathematic presents their work on the beautiful commercial for Photoshop.
View Post