Q&A: ‘Greyhound’ director Aaron Schneider
Cinematography , Episodic TV , Filmmaking , Post Production , Technology , Video Production , Visual Effects Aaron Schneider , CG , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Comping , Compositing , Dneg , features , green screen , Greyhound , match moving , movies , roto , Rotoscopy , The CG Lab , Tom Hanks , vfx , visual effects
If one is to look into the technological future, the visual effects industry will be transformed with the proliferation of real-time rendering, AI and virtual production methodologies.
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The Mill Launches ‘Mill Scout’ AR Virtual Production App
Episodic TV , Filmmaking , Films , Post Production , Technology , Video Production , Visual Effects AR , Augmented Reality , CG , CG assets , CG doubles , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , Commercial , Comping , Compositing , features , Mill Scout , movies , The CG Lab , The Mill , vfx , visual effects
Mill Scout enables immediate visualization of any object during filming that has been preloaded onto the app. By using the app to place CGI objects into real-world environments, creative teams are now able to tailor shots to VFX specifics, offering increased creative flexibility during the on-set direction process.
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Belgravia : How Do You Turn Old Buildings Into New?
Cinematography , Crime , Drama , Episodic TV , Post Production , Visual Effects Belgravia , BlueBolt , body tracking , cg animation , CG assets , CG doubles , CG environments , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , Episodic TV , green screen , Henry Badgett , Look Development , lookdev , match moving , rigging , roto , rotomation , Rotoscopy , The CG Lab , vfx , visual effects
… you needed to turn some buildings that already had that wear and tear into something incredibly new?
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Re-Creating L.A. Of The 1930s For Penny Dreadful : City Of Angels
Cinematography , Crime , Drama , Episodic TV , Post Production , Visual Effects body tracking , cg animation , CG assets , CG doubles , CG environments , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , Episodic TV , FuseFX , green screen , John Heller , Look Development , lookdev , match moving , Penny Dreadful , rigging , roto , rotomation , Rotoscopy , Showtime , The CG Lab , vfx , visual effects
When Showtime sought to re-create a ‘1938 Los Angeles’ for Penny Dreadful: City of Angels, it looked to visual effects from FuseFX to adjust and augment modern photography to make the setting appear period-correct.
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Mulan VFX Breakdown By Image Engine VFX
Cinematography , Drama , Filmmaking , Films , Post Production , Visual Effects CG , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , Christian Irles , cleanup , Comping , Compositing , Diana Giorgiutti , features , green screen , Image Engine , Image Engine VFX , Lilian Bravo , match moving , movies , Mulan , Niki Caro , roto , Rotoscopy , Sean Faden , The CG Lab , vfx , visual effects , Walt Disney
Image Engine contributed a variety of effects to the film including expansive digital environments, set extensions, creature animation, and effects and simulation across 271 shots.
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Take A Fantastic Voyage With Photoshop : VFX Breakdown
Cinematography , Drama , Post Production , Visual Effects Adobe , Adobe Photoshop , CG , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Commercial , Comping , Compositing , green screen , match moving , Mathematic , Photoshop , roto , Rotoscopy , The CG Lab , vfx , visual effects
French studio Mathematic presents their work on the beautiful commercial for Photoshop.
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