Hollywood has gone home. Why are many visual effects artists still going into work?
Filmmaking , Films , Post Production , Visual Effects CG , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , features , green screen , Hollywood , MatchMoving , movies , MPA , roto , Rotoscopy , The CG Lab , vfx , VisualEffects , Work From Home
Daisy Ridley, left, is Rey and Adam Driver is Kylo Ren in “Star Wars: The Rise of Skywalker.” Digital artists who create effects for such movies signed a petition to …
View Post
The Mill’s Blackbird Camera Car Is a Real-Life Autobot
Cinematography , Filmmaking , Post Production , Technology , Video Gear , Video Production , Visual Effects Blackbird Camera Car , Camera Rig , CG , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , features , green screen , Jem FX , Keslow Camera , MatchMoving , movies , Performance Filmworks , roto , Rotoscopy , The CG Lab , The Mill , vfx , VisualEffects
VFX studio The Mill built their own adaptable camera car to replace any vehicle imaginable in post. The Mill teamed up with Performance Filmworks, JemFX, and Keslow to create the ultimate camera car. Unlike other camera …
View Post
Camera Cars & Trailers – The Real Movie Cars
Cinematography , Filmmaking , Films , Technology , Video Production , Visual Effects cameracars , cameraRigs , Cameras , CG , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , features , green screen , MatchMoving , movies , roto , Rotoscopy , The CG Lab , vfx , vfxNews , VisualEffects
From high-speed car chases to luxury car commercials, camera cars are secretly driving alongside capturing all the action. Cover Image via Camera Car Industries Camera cars come in all shapes and sizes. …
View Post
Pixomondo’s ‘Carnival Row’ Season 1 VFX Breakdown Reel
Cinematography , Filmmaking , Films , Post Production , Visual Effects Amazon , Amazon Prime Video , body tracking , Cara Delevingne , Carnival Row , CG , cg animation , CG assets , CG doubles , CG environments , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , features , green screen , Look Development , lookdev , MatchMoving , Max Riess , movies , Orlando Bloom , Pixomondo , PXO , René Echevarria , rigging , roto , rotomation , Rotoscopy , streaming entertainment , streaming Media , The CG Lab , Travis Beacham , vfx , visual effects , VisualEffects
Leading design company, Pixomondo, has once more shared some of their great VFX work with AWN; led by VFX supervisor Max Riess, studio teams in Frankfurt, Stuttgart, Toronto and Los …
View Post
6 UNDERGROUND: RICHARD HOOVER – OVERALL VFX SUPERVISOR – NETFLIX
Filmmaking , Films , Post Production , Uncategorized , Visual Effects 6 Underground , body tracking , CG , cg animation , CG assets , CG doubles , CG environments , CGI , CGI Nexus , CGI Nexus VFX , CGLab , CGLab VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , features , green screen , Look Development , lookdev , MatchMoving , Michael Bay , movies , netflix , Richard Hoover , rigging , roto , rotomation , Rotoscopy , The CG Lab , vfx , VisualEffects
6 UNDERGROUND: RICHARD HOOVER
View Post
De-aging the Irishman (updated)
Crime , Drama , Filmmaking , Films , Post Production , Visual Effects Al Pacino , body tracking , CG , cg animation , CG assets , CG doubles , CG environments , CGI , CGLab , CGLab VFX , cleanup , Digital Doubles , Digital Environments , features , fxguide , green screen , ILM , Industrial Light & Magic , Joe Pesci , Look Development , lookdev , Martin Scorsese , MatchMoving , movies , netflix , rigging , Robert De Niro , roto , rotomation , Rotoscopy , streaming entertainment , streaming Media , The Irishman , vfx , VisualEffects
The Irishman is an epic crime drama directed and produced by Martin Scorsese and written by Steven Zaillian. It is based on the 2004 book I Heard You Paint Houses by Charles Brandt. The …
View Post
