Belgravia : How Do You Turn Old Buildings Into New?
Cinematography , Crime , Drama , Episodic TV , Post Production , Visual Effects Belgravia , BlueBolt , body tracking , cg animation , CG assets , CG doubles , CG environments , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , Episodic TV , green screen , Henry Badgett , Look Development , lookdev , match moving , rigging , roto , rotomation , Rotoscopy , The CG Lab , vfx , visual effects
… you needed to turn some buildings that already had that wear and tear into something incredibly new?
View Post
Re-Creating L.A. Of The 1930s For Penny Dreadful : City Of Angels
Cinematography , Crime , Drama , Episodic TV , Post Production , Visual Effects body tracking , cg animation , CG assets , CG doubles , CG environments , CG Lab , CG Lab VFX , CGI , CGI Nexus , CGI Nexus VFX , cleanup , Comping , Compositing , Digital Doubles , Digital Environments , Episodic TV , FuseFX , green screen , John Heller , Look Development , lookdev , match moving , Penny Dreadful , rigging , roto , rotomation , Rotoscopy , Showtime , The CG Lab , vfx , visual effects
When Showtime sought to re-create a ‘1938 Los Angeles’ for Penny Dreadful: City of Angels, it looked to visual effects from FuseFX to adjust and augment modern photography to make the setting appear period-correct.
View Post
De-aging the Irishman (updated)
Crime , Drama , Filmmaking , Films , Post Production , Visual Effects Al Pacino , body tracking , CG , cg animation , CG assets , CG doubles , CG environments , CGI , CGLab , CGLab VFX , cleanup , Digital Doubles , Digital Environments , features , fxguide , green screen , ILM , Industrial Light & Magic , Joe Pesci , Look Development , lookdev , Martin Scorsese , MatchMoving , movies , netflix , rigging , Robert De Niro , roto , rotomation , Rotoscopy , streaming entertainment , streaming Media , The Irishman , vfx , VisualEffects
The Irishman is an epic crime drama directed and produced by Martin Scorsese and written by Steven Zaillian. It is based on the 2004 book I Heard You Paint Houses by Charles Brandt. The …
View Post
