Arraiy’s A.I.-based tracking solution being utilized to solve both camera match-moving and object tracking of a person. If there’s a buzz phrase right now in visual effects, it’s “machine learning.”

TIME and Digital Domain undertook an exceedingly ambitious project to produce a 3D recreation of Dr. Martin Luther King Jr., as part of a new VR experience called The March. This first-of-its-kind

Daisy Ridley, left, is Rey and Adam Driver is Kylo Ren in “Star Wars: The Rise of Skywalker.” Digital artists who create effects for such movies signed a petition to

VFX studio The Mill built their own adaptable camera car to replace any vehicle imaginable in post. The Mill teamed up with Performance Filmworks, JemFX, and Keslow to create the ultimate camera car. Unlike other camera

From high-speed car chases to luxury car commercials, camera cars are secretly driving alongside capturing all the action. Cover Image via Camera Car Industries Camera cars come in all shapes and sizes.

For VFX supervisor Louis Morin, Tom Harper’s wild ride through the skies of 1862 London was a journey filled with live-action shoots, stunts, digital doubles and one super-cold sound stage.